Mr. Frank McNulty – December 27, 1939 – June 29, 2024
“Sleep in peace when day is done” ~ Nina Simone
Born in the final days of 1939 at St Joseph’s Hospital in Toronto, Frank loved to tell people about how many decades he had lived. While the 1930’s had little impact on his life, he did his best to wring the life out of the decades that followed.
Born to immigrant parents (May (nee Pettigrew) & Tom McNulty) and raised in Parkdale in the 1940’s & 1950’s gave Frank a unique perspective on life and culture. Those early experiences surrounded by Black culture and music became a fundamental part of who he was. From playing basketball at St. Christopher’s House, attending Parkdale Collegiate and working in record stores around Toronto; music, especially Jazz, Blues, Soul and R&B became the soundtrack of his life. It was ingrained in every fiber of his being.
After a stint in the United States and a tenure working at Motown Records, Frank returned to Canada and eventually found his way to Collingwood where he settled in 1968. He truly embraced all that makes Collingwood special. Working at the Collingwood Shipyards; as the first paid Ski Patroller at Blue Mountain Resorts; as a ski instructor for Ernie McCullough and a ski coach at the Collingwood Ski Club before finally opening McNulty Printing in 1971.
Frank’s impact on the community he loved is hard to quantify. He served as president of the Collingwood Chamber of Commerce; president of the Toronto Ski Club & Blue Mountain 1940 Inc; served on the Collingwood Library Board; founded the Collingwood Bluegrass Festival; founded the Collingwood Jazz & Blues Society & Festival as well as the much beloved Jazz at the Station.
He was often to be found on the sidelines of his children’s sporting events either as a coach or official and found immense pleasure watching his children succeed at the things they loved.
Through the printing business he supported many of the charitable endeavors in the community over the 60 years he lived in Collingwood. The G&M hospital foundation, The YMCA, the National Ski Academy, Sheffield Park Black History Museum, and so many other school and community events. Frank received the order of Collingwood in 2009 for his volunteerism and commitment to community service.
Well known for his signature hairstyle which he adopted long before it was cool, Frank loved to terrify any nearby child with the story that he had lost his hair because he wouldn’t eat his vegetables. Always quick with a story (or maybe a tall tale) about his time in the music industry; the history of Collingwood & the Shipyards; the early days of Blue Mountain and chasing Jozo Weider around the mountain on skis; the history of Jazz & Blues; and his time in the city that captivated him, New Orleans; Frank’s ability as a storyteller and a historian will be greatly missed.
Frank was predeceased by his brother in spirit Jay Jackson and is survived by his children Stephanie (Denis) Parsons, Sarah McNulty, Josh (Bre) McNulty & Dr. Kate (Jeremy) Shield; his ex-wife Jane; his grandchildren Oliver, Elsley, Milo & Elliott; as well as the Jackson family Shawne, Janice, Marlon & Nathaniel.
The family would like to thank the staff at The Collingwood General & Marine Hospital; Drs. Basinski, Fraser, Kolenda and Smith; as well as the staff at Campbell House.
In lieu of flowers the family would like to suggest a donation to the charity of your choosing. A Celebration of Life will be held on the 15th of September at the Toronto Ski Club. To be updated on the details, share photos or a story or if you’d be interested in being part of the entertainment, please email: [email protected]
While he will be missed immensely by his family and friends, we know the music plays on.
Collingwood, ON [3 July 2024] – The Town of Collingwood is conducting a Speed Limit Review, to ensure all multi-modal road users can provide input on how they feel the Town can enhance their road travel experience.
The Master Mobility and Transportation Plan (MMTP) includes an expert-conducted safety screening of all roads within the Town of Collingwood which will include a review of any collision history, road design, and road hazards. The Speed Limit Review will gather traffic data from various locations around the community including most residential streets and all collector roads within the Town’s boundaries. Together, the data will inform the decision process related to setting speed limits within the Town. This review will consider both the benefits and disadvantages of speed limits for local and collector roads, either Town-wide or in select locations.
Community input and engagement is critical to ensure an informed and successful outcome. Residents are invited to complete a short Speed Limit Review survey by July 26 at engage.collingwood.ca/speed-limit-review. In addition to the survey, community members can fill out a ‘Traffic Speeds – Locations of Opportunity’ form, on the project page. Hard copies of both are available at Town Hall, 97 Hurontario Street.
Chat with members of Council and staff at the Farmer’s Market booth on Saturday, July 6, about the Speed Limit Review. An open house/ virtual session will also be scheduled later this summer. Subscribe to project updates on the Engage Page to be notified by email.
The estimated time of review completion is set to be late 2024. Based on results and recommendations, the impact on other municipal projects, the implementation plan, and funding will be discussed in early 2025.
Please visit the project page at engage.collingwood.ca/speed-limit-review to view project information, take the survey, and subscribe to be notified of upcoming engagement opportunities and other project updates.
BAYVIEW PARK, 106 BAY STREET EAST, THORNBURY ONTARIO
There is no fee for these concerts thanks to our sponsors and donations from those attending.
For non-residents there is a parking fee for certain areas near the park. Residents will need their Town Parking Pass.
Free parking is available at the Town Hall parking lots and the Medical Centre at 78 King Street with a trail at the back for a shortcut to the park.
Sunday, July 7th – British Invasion
British Invasion: In the mid-1960’s, North America was swept by a wave of rock and pop from the UK that would have an enormous impact on music and pop-culture for generations to come. Inspired by American rhythm-and-blues and rock-and-roll of previous decades, young British groups began to infuse these styles with up-tempo melodic pop and fiery guitar-based instrumentation; bands such as The Beatles, The Rolling Stones, The Who, The Kinks, The Yardbirds, and Herman’s Hermits took the world by storm in a phenomenon known as the “British Invasion”!
This four-piece act, based out of Toronto, Ontario, brings the sound, look, and energy of this watershed moment in music history to the stage wherever they perform. With ear-catching melodies, powerful vocal harmonies, vintage tones and attire, this group of highly trained, multi-instrumentalists has thrilled countless audiences, taking them on a trip back in time!
Performing music by:
The Beatles, The Rolling Stones, The Who, The Kinks, The Yardbirds, Herman’s Hermits, The Animals, Cream, The Dave Clark Five, The Zombies, The Searchers, Moody Blues, Gerry and The Pacemakers, The Spencer Davis Group, The Tremeloes, The Troggs… And many more!
Sunday, July 14th – The Mike McCarthy Band
The Mike McCarthy Band is a Canadian musical ensemble celebrated for its dynamic fusion of alternative country, southern rock, and Canadiana influences. Led by the versatile singer-songwriter Mike McCarthy, the band delivers a captivating blend of heartfelt lyrics, gritty guitar riffs, and soulful melodies that resonate with audiences far and wide. Erica Prinn-McCarthy adds harmonies that infuse their sound with additional depth and richness, seamlessly blending with Mike McCarthy’s lead vocals to create captivating melodies that linger in the hearts of listeners. With a periodic rotating roster of seasoned and talented musicians, The Mike McCarthy Band consistently delivers dynamic and engaging performance that showcase their versatility and musicality. The line up: Jerome Tucker on bass guitar, Carl Harvey on lead guitar, Rob Gasidlo on keys and organ and Rich Greenspoon on drums!
Lulu’s Roadhouse opened in 1984. It was the largest nightclub of it’s kind, holding over 4000 people and setting a record for the world’s longest bar. Some of the most famous entertainers of all time performed at Lulu’s…and one of Ontario’s most famous house bands opened for them (and sometimes backed them) – the Lulu’s Roadhouse Band.
The legendary Lulu’s Roadhouse closed its doors in April 2000, but the tradition of first-class entertainment continues as the core group, now known as the Lulu’s Band, performs at clubs, parties and events all over Southern Ontario. Since taking their show ‘on-the-road’, the group’s already huge following has grown to include new fans of all ages and they have become a popular attraction at corporate functions and fund-raising events as well as the annual Oktoberfest celebrations in Kitchener-Waterloo. The Lulu’s Band is a guaranteed ‘party’ everywhere they play, keeping the dance floor hopping with the best dance music from Classic Rock to Current Hits, Funk to Pop, and even a bit of kick-ass New Country.
Sunday, July 28th – Smokewagon Blues Band
Smokewagon Blues Band featuring whiskey-stained soul vocals, funky blues harmonica, slick R&B/roots guitar, swinging piano work, soulful organ, riveting saxophone, with a racy, taut rhythm section, The Smoke Wagon Blues Band has been performing on festival stages for two decades. Formed in 1996, the band became crowd favorites. Eight independent releases, international radio play, and a large local fan base propelled the band to venues across the continent. The group’s last three albums were award winning international hits reaching the top of the roots and blues charts and garnering 5-star reviews in blues magazines and blogs around the globe. The bands live performances have become the talk of the town at festivals across the province including the 2016 IBC’s in Memphis Tennessee where they became fan favorites during a three-night stand at Club 152 on Beale St.
Toronto All Star Big Band – to provide an outstanding development opportunity for keen young musicians aged 15-22 to realize their artistic potential through education and performance, seeking the highest level of achievement within a challenging nurturing and collaborative environment.
Armed with brilliant programming, choreography and engaging cultural nostalgia, this vibrant cast of awesome young talent has earned its position at the top of list of presenters throughout Ontario and in the USA. At the heart of the musical matter, the TABB provides one of the most intense and stimulating youth music programs in Canada. Behind their extraordinary entertainment, they engage cream of the crop young musicians from across the GTA in a rigorous regime of rehearsals, workshops and fantastic skill-building performance experiences with such international stars as Clark Terry, Doc Severinsen, Cleo Laine and John Dankworth, Eddie Daniels and Larry Elgart. The band has also worked with wonderfully talented Canadians…Peter Appleyard, Oliver Jones, Ranee Lee, Tommy Ambrose, Phil Nimmons and the great Jackie Richardson. All of these wonderful performers are a part of TABB’s legend series and have graciously shared their talents with these young musicians.
Strange Potatoes was Formed in 2000, John Eaton, Derek McLean and John Miller have been using music and humour to create good times and great parties throughout the region and across the province. With an emphasis on acoustic instruments and vocal harmonies they appear as a celtic folk band but once they launch into their massive repertoire of all bets are off as to what kind of band they are.
Fans of every genre of popular music, Strange Potatoes focuses on audience interaction and high energy engagement as they strive to be best party band they can be! Feeding off the audience for musical direction, Strange Potatoes rarely prepare a set list but rather unleash an improvised attack on the songs that matter most at the time.
The results are often astonishing and sometimes hysterical, but always entertaining.
Get ready to tap your toes, clap your hands, singalong and bust a gut as these three perform some of the most memorable songs in popular music as well as some of those one hit wonders we might have wished were long forgotten.
Sunday, August 18th – Boomerang Band
Boomerang is a hard-working high energy band of seasoned musicians cooking up a stew of classic R&B tunes that stir your soul and ignites you off your butt. Our recipe consists of generous portions of timeless tunes from artists such as Stevie Wonder, Van Morrison, Sam & Dave, James Brown, Wilson Pickett, Stevie Winwood, Blues Brothers and the like. Throw in a dash of Doobie Brothers, Chicago and Maceo Parker and mix in some Joe Cocker, the Band and Huey Lewis. Blend vigorously and serve.
The fossil fuel industry has made a lot of false or misleading claims over the years: burning the fuels doesn’t cause climate change, there’s no viable replacement for them, “natural” gas is a climate solution, coal power can be “clean,” carbon capture and storage will make oilsands bitumen climate-friendly…
But a new rule requiring industry to substantiate its claims is creating a stir.
Although fracked methane gas companies and their supporters didn’t back down after Ad Standards Canada found an industry front group’s assertion that gas is a climate solution amounted to “greenwashing,” a recent Competition Act amendment requiring companies (not just fossil fuel) to back environmental claims with evidence is making the industry and its supporters nervous.
Reaction to the Ad Standards ruling was muted in part because the organization has no enforcement powers and doesn’t release its findings to the public. (In this case, the findings were leaked.)
The Competition Act amendment gives the Competition Bureau commissioner the power to investigate claims about a company’s environmental performance to ensure they’re factual.
The Pathways Alliance, which represents Canada’s largest oilsands companies, has now scrubbed all content from its website, social media and other communications platforms. It had been claiming its member companies would reach net-zero emissions by 2050 using carbon capture technology (which is expensive and still largely unproven). The Competition Bureau is already investigating the Pathways Alliance for misleading the public with net-zero claims, because those only apply to extraction and not to the 80 per cent of emissions from burning their products.
The Canadian Association of Petroleum Producers also said it would remove information from its public communications. Some oil companies — including Imperial, Suncor, and ConocoPhillips — have put disclaimers on their websites.
Big Oil supporters in government and media are also upset. The Alberta government called it “authoritarian censorship,” and charged that it’s aimed at “phasing out the energy industry altogether.” (By “energy industry,” they mean fossil fuel energy, not cleaner, more affordable renewable energy.) Alberta has also shut down its controversial oil and gas “war room,” known as the “Canadian Energy Centre.”
It’s clearly overreaction to a rule that only requires companies to tell the truth. But the dirty energy industry is fighting for its survival and continued obscene profits in the face of a changing climate and a renewable energy boom.
That some governments would put this industry’s interests ahead of their constituents’ health and wellbeing is appalling.
The fact that it’s just the fossil fuel industry complaining is telling. “The provisions in the amendments are industry agnostic, so they apply across the board, and yet we don’t see every other sector tearing down websites,” University of Calgary law professor Martin Olszynski told the National Observer.
Those who recognize how serious the climate crisis is and how much worse it will get if we don’t stop using fossil fuels want to take things further, with a ban on all advertising for fossil fuels. Some are even calling for restrictions on advertising for products that facilitate use of dirty fuels, especially gas-powered cars, trucks and SUVs.
We saw with tobacco use how regulation works well and is often necessary, as most companies aren’t willing to give up profit-making regardless of the greater cost to society. It’s hard to imagine that, not long ago, people smoked in restaurants, hospitals, taxis, workplaces — almost everywhere!
The Competition Act amendment also shows how effective policy can be — especially considering gentle prodding from a toothless organization such as Ad Standards Canada appeared to have little or no effect on the industry.
“Canadians can expect that if you’re going to make claims in advertising that you actually have the evidence to back it up,” Catherine McKenna, chair of the UN’s expert group on net-zero commitments and Canada’s former environment and climate change minister, told the National Observer. “That’s not onerous.”
The climate crisis is accelerating. Promoting products that are fuelling it — especially using false or misleading information — will only make matters worse. Industry has shown over decades that it can’t be trusted to do the right thing on its own. We need to hold it to account and to shift quickly to cleaner energy sources.
It’s long past time to leave fossil fuels in the ground and to stop promoting them.
David Suzuki is a scientist, broadcaster, author and co-founder of the David Suzuki Foundation. Written with David Suzuki Foundation Senior Writer and Editor Ian Hanington.
In this episode of Impact Theory, I’m joined by David Friedberg, a self-described “extreme optimist” who believes that capitalism – specifically entrepreneurship – is the fastest way to improve human productivity and potential, unlocking a more abundant and sustainable future for all.
Today we’re getting into the economic challenges the U.S. face, specifically the risks associated with high debt relative to GDP, and how excessive taxation to service this debt can stifle investment and have lasting detrimental effects on economic growth. We explore the transformative potential of gene editing, including promises for agricultural advancement and just be the answer to sustainable nutrition for a rapidly growing global population.
We also examine the balance between technological progress and regulatory oversight, the societal divide over adopting new innovations, and how AI could redefine creativity and productivity. If you’re serious about innovation and understanding the future of our economy, you won’t want to miss this episode.
CHAPTER MARKERS: [0:00] The Unsustainability of the U.S. economy [54:32] Impacts of innovation & deflation [1:12:17] Is the cost worth the trade off? [1:50:18] Rejecting or embracing technology [2:21:43] Conflicts, politics & fact-based debates
POWERFUL QUOTES FROM DAVE:
“So the government is a customer of many businesses or employing many people that end up working directly for the government or under government programs.”
“Things are going to inflate because there’s more dollars to spend on stuff and the cost of things will naturally go up.” “We face another critical problem right now, which is a very serious negative view on technology. And I do think that the majority of people don’t necessarily think about, if you say the word technology, there’s a more negative association with that word than positive.”
“So everything about what appealed to people starting in the seventies, as represented out of Disneyland and Tomorrowland was all about technology goes awry, and we have to return everything to a natural, organic state.” “We worry more about loss than we care about gain.”
“At any given moment, there is the potential for war, okay, at any given moment, there is someone out there talking smack about the United States, there is someone out somewhere out there instigating, launching stuff at a base. There’s always some instigation.”
“War historically has driven a lot of shifts in economic productivity. It has driven a lot of growth in aspects of the economy that need to be stimulated.” “In El Salvador, they put all the cartel members in prison and made bitcoin a national currency.” “There’s a lot of these kind of social policies that get wrapped up, many of which we could dissect. Is the cost worth the trade off? And some would argue, yes.”
If you want to dive deeper into my content, search through every episode, find specific topics I’ve covered, and ask me questions. Go to my Dexa page: https://dexa.ai/tombilyeu
JULY 3 12 till 1:30 Motes & Oats – Lunch… Fish & Sips
Great food, a fun atmosphere and free performances by the area’s top-notch musicians, singers, and songwriters!
Each Wednesday throughout the summer, Local Live Lunch welcomes everyone to drop by our outdoor concert are at Sheffer Court, located at 186 Hurontario Street downtown.
You can purchase your lunch on site from a featured restaurant, sit back in comfy Muskoka-style chairs, relax and listen to great local, live music on the 95.1 Peak FM Stage!
Local Live lunch is a celebration of community spirit paired with culinary treats and music!
Stick & Bow, “The trailblazing Montreal duo that plays everything from Bach to Radiohead” (CBC Music’ The Intro), unites Canadian marimba player Krystina Marcoux and Argentinian cellist Juan Sebastian Delgado.
Classically trained musicians, they strive to present a wide spectrum of musical styles, ranging from rock to gypsy-jazz, baroque or tango. Their eclectic repertoire features original arrangements of some of the most celebrated works in history, showing the potential of their instruments combined. In their creative process, they combine musical narration with humor and story-telling in which the powerful combination of cello&marimba transforms the listening of familiar works in refreshing and unexpected ways.
Sunday, July 7 @ 7:00pm First Presbyterian Church Collingwood
Inspired by the open-air celebrations of classical music made popular by the Dutch superstar violinist Andre Rieu, this program features an array of dazzling waltzes from popular operettas, symphonic soundtracks and timeless songs.
Including works by Johann Strauss Jr., Franz Lehar, Maurice Ravel, Nino Rota and Celine Dion, among others.
