The Best Moments Chosen By You! | Bewitched
We asked you amazing fans to tell us your favorite moments of Bewitched and make sure to comment for a chance to be featured in part 2!
United by love, Darrin and Samantha Stephens (Dick York / Dick Sargent and Elizabeth Montgomery) may look like a classic American couple, but they have a secret that distinguishes them from their suburban neighbors – ad executive Darrin (Dick York / Dick Sargent) is a mortal, but Samantha (Elizabeth Montgomery) is a beautiful witch.
Bewitched premiered on ABC in 1964 and ran for eight seasons, becoming one of the most beloved sitcoms of its era. The show followed Samantha Stephens, a witch who marries a mortal, advertising executive Darrin Stephens, and tries to live a normal suburban life while suppressing her magical powers—usually without much success. The central comedic engine was the tension between Samantha’s supernatural family, who saw no reason she should deny her nature, and Darrin’s insistence that she live as an ordinary housewife, a premise that let the show poke gentle fun at 1960s domestic conformity even as it reinforced some of it.
Elizabeth Montgomery starred as Samantha and became the show’s defining presence, playing both her and her mischievous, husband-averse cousin Serena. Agnes Moorehead was a scene-stealing favorite as Samantha’s disapproving, flamboyant mother Endora, who never missed a chance to remind everyone that her daughter had married beneath her. The role of Darrin was famously recast partway through the series—Dick York played him for the first five seasons before health problems forced him to leave, and Dick Sargent took over for the remaining three, a swap the show never acknowledged on-screen and that audiences mostly just went along with.
Much of the show’s charm came from its practical special effects, achieved through stop-motion, quick cuts, and clever editing rather than anything digital, which gave Samantha’s nose-twitching magic a distinctive, low-tech charm. Beneath the fantasy-sitcom surface, critics and fans have long read Bewitched as a commentary on conformity, otherness, and the pressure to hide one’s true self to fit into polite society—readings that have only deepened its cultural staying power. It remains a fixture in syndication and helped shape the template for decades of supernatural-domestic sitcoms that followed.
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